BLUE PAINTINGS
The color blue is a classic color that never goes out of fashion. In my blue paintings, where the starting point is biology in nature, the blue tones are most often decoded as sky or sea. My blue colors most often fade into turquoise, they make the painting warmer in expression. I often paint in monochrome, where the blue tones flow into each other in a calm flow. As a contrast to the blue, I love fluorescent pink, purple, green and orange.


THE COLOR BLUE IN THE PAINTING
Color symbolism
When talking about color symbolism, these are not unambiguous symbols. You cannot therefore set up rules for which meanings lie in the individual colours. in the painting. It is important to look at the context in which a color appears. You can, however, set up some overall symbolic values for colors.
Blue symbolizes love. Blue is the color of fidelity and secrecy, but also calm and cold, sky and sea.
After Picasso's friend Casagemas committed suicide due to unrequited love, Picasso suffered a severe depression and began his blue period , during which he painted a large number of paintings with the color blue
Blue symbolizes love. Blue is the color of fidelity and secrecy, but also calm and cold, sky and sea.

COLORFUL PAINTINGS
My paintings are colorful and light in expression. I have a large selection of colorful paintings here in the webshop. Many of our homes have become more simple and stylish in colour. We have white walls, wooden floors and bookcases, and maybe a sofa in dusty blue or grey. The calm, stylish look can easily be given a little more energy with a colorful painting. In the painting, the colors are used vividly and playfully, the colors give life, but also have light and calm. Colorful paintings do not have to be screaming bright colors, when the rest of the decor is very calm, not so much color is needed before life and energy are created. Paintings with light pastel colors in the background or dusty dark earth tones are often very pleasant to have in the interior. I often put the brighter colors in the foreground and in the details of the painting, so that they do not become dominant in the expression.